Closest Tattoo Parlor Near Me

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Planning to get a tattoo? Well, whether you’re looking for a simple design or a complex piece of art, get painted by these sought-after needlework experts from some of the city’s top parlors. Because when it comes to a piece of art that you have to carry with you for the rest of your life, you better walk on perfection.

Closest Tattoo Parlor Near Me

After I finished my military service, I asked my tattoo artist Deion Thomas from The Daily Dozen Tattoo Collective if he could teach me the craft. I interned with him for a year and a half and started working full time in October 2011. I opened Iron Fist Tattoo in 2015 and now there are seven artists working in this studio.

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I specialize in whip shading, which consists of tony dots that create black and gray gradients and give texture to the tattoo. I also do color and black and gray reality tattoos. I draw inspiration from botanical illustrations, statues, 14th to 18th century paintings and reference books.

I started tattooing full time four years ago. I have always loved the art of tattooing, albeit from a distance, until my current mentor and boss, Lionel Ng, gave me an apprenticeship. I discovered his work on Instagram and admired how he updated tribal patterns with super clean lines. So I took a leap of faith and left my 15 years in the creative and advertising field.

Tattoo styles have been trending online in recent years, which is interesting because a strong sense of personal style comes with this trend. My style is mainly line work and mostly revolves around black and gray nature themes such as animals and botanicals.

Meeting other tattoo artists and their work and reflecting on how I can improve and take my skills to the next level are the best things about my job.

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When I was in elementary school, I watched MTV every day and the people in the music videos were always covered in tattoos. I have seen a lot

Seven years ago I started getting tattooed by Julian Chia of Wild Paw Tattoo. In the year I emailed him about an internship in 2015 and started right away. In the same year I was lucky to start tattooing.

Sad but beautiful, that’s how one client described my work. I don’t know if my style falls into a specific category but I get a lot of emails asking for something minimal with clean lines. I really enjoy making thick lines and flat colors.

Tattooing has always been my passion. After many conversations with tattoo artist Lionel Ng of the Traditional Tattoo Collection, he offered me the opportunity to learn so I took it up and haven’t looked back since.

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My style is mostly black work, leaning towards line work and dot work with a little oriental influence. I design most of my pieces unless the client has a very specific request, such as a picture of their child or a loved one’s handwriting.

Fantasy movies and old movies inspire me. I also try to learn what I can from other artists. I will study their work and if I have the opportunity to communicate with them, I will pay attention.

I have always been interested in body art since childhood. As a child, I remember looking at people with tattoos and noticing how tattoos make each individual unique.

I did a drawing in class in high school. Shortly after I graduated, a friend of mine took an interest in my drawings and asked me to tattoo him. So I bought a tattoo machine and put my first piece on it. Soon, many people started looking for me for tattoos. I also learned a lot from my former bosses at Ink by Finch Tattoo.

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I am a true artist and I do mostly black and gray works. Meeting and interacting with people from all walks of life is the best thing about this job. My clients and I always exchange life stories and I learn a lot from my clients. Not only have they helped me become the artist I am today, they have made me a better person because of them.

Ever since I was a child, I have always been fascinated by tattoos. Growing up, all the rock stars I listened to had tattoos and I wanted to be like them. At school I would buy doodle markers on my hands with my lunch money and during class.

In 2001, I was offered a job at a tattoo shop and that’s where I met Sean Chua (of Oracle Tattoo). To this day, I consider him my mentor. He was the one who showed me the ropes though I went through a proper apprenticeship and for that I am grateful.

People come to me for black and gray tattoos. I work with my clients to create a piece that we both enjoy. I typically customize designs digitally.

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My hardworking family at Oracle Tattoo inspires me. We have a good competition between us which motivates me to work hard and improve my skills. They keep me on my toes.

I used to help out at a veterinary clinic and perform surgery on animals. I love animals but wanted to pursue art to express myself. In the year In 2011, my friend Joy Ong, also a tattoo artist at Visual Orgasm, introduced me to Joseph Siow. I practiced with him. I started doing my own clients years ago, but I’m learning new things by watching Joseph tattoo.

I do a lot of handwritten scripts and that’s all I know right now. When I was still an intern, Joseph asked me to write a few words for an incoming client who didn’t like any PhotoFont fonts. I wrote it, she liked it and Joseph tattooed it. He posted it online and people started coming because they liked the simple handwriting that looked like a signature. I can change my handwriting depending on what the client wants – sometimes thicker, more illegible or more carelessly written.

I also do line and dot work. I love doing watercolors, but I try not to advertise it. Water color fades over time, especially on Asian skin due to the yellow color, and sometimes people can’t accept this. Works best on fair or Caucasian skin. I would like to delve more into black and gray reality in the future.

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If I’m doing manuscripts, I just write two or three options on the spot and the clients choose from there. My waiting list is about a month.

I recently completed a whole back room and it’s the first big black and gray thing I’ve done – it means a lot to me. It started out as a small tattoo on the side of his shoulder but he trusted me so it expanded to a full back.

@bradleytattoo I started by accident. When I was 15 years old, my friends and I had the great idea of ​​going to a tattoo shop to buy equipment. The guy at the shop (who is no longer in the area) took a look at my sketchbook and gave me a tutorial instead.

I did it for two to three years. And for 13 years I was in this amazing industry that I love so much.

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I do strictly black and gray with any color. Clients come to me with anything from portraits and photographs to skulls and animals. Owls and wolves are popular. Oddly enough, I get a lot of clock and timer questions – I don’t know why.

For example, I design each client’s tattoo, unless it’s something as straightforward as a portrait of his or her grandfather. While I don’t need to redesign that, I still change the setup leading up to the session.

I usually work in one day and it takes a client 6 to 7 hours, including stenciling on their body and the teacal session. I only take five or six clients a week, and there is a waiting list of approximately seven to eight months.

Currently my pieces take a little time to prepare and can range from 6 hours to a few days for a full back or full sleeve. I get occasional requests for smaller pieces but I give more time for bigger pieces.

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In the year I was painting a mural on someone’s wall when I was in the UK in 2008, and he thought I should tattoo it. Tattooing, he insists, is the same as painting. Turns out it’s not! It is completely different. After returning, in 2010, I decided to try tattooing and interned with Valerie Young here at Vagabond Inc.

There is no right word to describe my style. I would say that my tattoos look like an unfinished design – that’s my most honest statement. Most of my pieces look like designs that you can’t put in a frame and actually call art. It used to be a flaw, but it’s who I am.

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